CHALK PAINT ™

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    This strong, deep green takes inspiration from the painted shutters and doors of Amsterdam. It works particularly well with whites and creams and botanical imagery and plants, as well as looking brilliant with earthy yellows and reds ? try teaming it with Primer Red, Arles and Old Ochre. It?s also makes a great backdrop to cool blues, such as Provence, Giverny and the purple tones of Emile.

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    Amsterdam Green

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    The neoclassical palette included this bright green, sometimes pure and sometimes lightened with white. The colour is also found on rustic country furniture from Ireland and the south of France ? a look which is beautifully achieved with Dark Chalk Paint? Wax. For a warehouse look, try Black Chalk Paint? Wax.

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    Antibes Green

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    Antoinette is a soft pale pink inspired by the decorative pieces and interiors of 18th Century France, when the finest red earths were mixed with white and used to make a clear, but dusky colour for walls.

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    Antoinette

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    This rich, deep yellow was inspired by the town of Arles in the south of France where a wide range of earthy yellow ochres are dug straight from the ground. It?s a natural rustic colour as well as a modern colour.

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    Arles

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    Athenian Black is a true, deep black developed to reflect the opaque figures and dramatic silhouetted shapes painted on Ancient Greek ceramics.

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    Athenian Black

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    Named after the blue found in classic Aubusson rugs from France, this colour is inspired directly by the development of Prussian Blue in the late 18th Century. It?s the perfect colour for a Swedish interior.

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    Aubusson Blue

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    This vivacious, modern orange is based on the colour used copiously by the Impressionists, in early advertisements and in 1960’s decoration. Such a brilliant orange was not available until the early 20th century. With Black Chalk Paint? Wax, it becomes burnt orange the colour of some Chinese lacquer.

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    Barcelona Orange

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    A rich deep warm red the colour of dark cherries, Burgundy finds its early inspiration in Pompeii. It also has a strong a strong neoclassical heritage, making it perfect for sophisticated painted furniture.

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    Burgundy – Colour discontinued

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    Named after the upscale Italian island resort, Capri Pink is inspired by the vivid bright pinks which populate folk palettes around the globe, from Mexican textiles to Pakistani truck art to Romany gypsy caravan interiors. Capri Pink is a true hot pink with depth and energy, provocative yet captivating. Use it as an accent colour alongside cool-toned brights, with reds and pinks for a tonal symphony, or buffer with warm cocoa-toned hues for sophisticated elegance.

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    Capri Pink

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    This elegant greyed green is inspired by the colour created when decorative painters mixed all their leftover colours together to make a base paint. It is the traditional colour found in French woodwork.

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    Chateau Grey

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    Chicago Grey is a cool, fresh and modern grey, with a hint of blue. Suggestive of the architecture in Chicago. A perfect neutral for industrial interiors, or muted Scandinavian styling.

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    Chicago Grey

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    Inspired by the warm pigment, Burnt Umber, this is a classic colour that has long been used in decorative work. Use Coco on its own or as a neutral.

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    Coco

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    Country Grey is a perfect cool soft neutral. Made with raw umber pigment, it is the classic choice for so much painted furniture. It is also a great foil for other colours.

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    Country Grey

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    Cream is based on the traditional yellowish colour that was used on old woodwork. You can use it as part of a retro fifties look or pair it with Paris Grey for a vintage French look.

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    Cream

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    This soft greenish blue stems from the first discovery of a good blue pigment in the 18th Century, which was then lightened with white. It can be described as a Rococo blue, as nothing says French and Swedish interiors quite like this colour.

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    Duck Egg Blue

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    A warm soft aubergine colour with pink red undertones giving a rich complexity that makes beautifully sophisticated lilac tones when Old White is added. A colour first used by artists and then later in decorative work, Emile finds its beginnings in bohemian Paris.

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    Emile

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    Emperor’s Silk is a bright pure red like the silk lining of a jacket. It is also the red of Chinese lacquer, especially when deepened with Black Chalk Paint? Wax. Use it in the interior of a cupboard or drawer for a pop of colour.

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    Emperors Silk

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    An English colour from the development of Chrome Yellow pigment in the 18th Century and inspired by hand painted Chinese wallpaper. This was the first non-earthy yellow. It?s also a great fifties vintage colour.

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    English Yellow

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    Firle is one of three exclusive colours Annie has created as a part of the Annie Sloan with Charleston collaboration.?Firle is a fresh, zesty and crisp green which echoes the gorgeous distemper of the wall surrounding the mantelpiece in Clive Bell?s study.

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    Firle

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    Florence is a sophisticated grand colour found in neoclassical Italian and French interiors and on painted furniture. The colour originates from copper green minerals and malachite. It?s also a great modern 20th Century colour.

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    Florence

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    A cool neutral inspired by the colour of aged natural linen. This khaki grey works beautifully with golds and a range of rich and bright colours such as Emile and Emperor’s Silk.

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    French Linen

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    Giverny is a bright, cheery, clean, cool blue in the Annie Sloan palette. It is near the greener range of blues, without any red in it. It is a perfect colour for a modern contemporary palette, and looks great with bright, warm colours (such as Barcelona Orange and Scandinavian Pink) and cool neutrals (such as Paloma) as well as greens from the Annie Sloan range. Giverny?is named after the village in Northern France where Claude Monet lived and this brilliant blue was especially popular in early 20th Century interiors.

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    Giverny

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    Graphite is a soft black inspired by Lamp Black, a traditional pigment. It works for many interiors from neoclassical to modern. When waxed, it becomes a beautiful black like dark slate.

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    Graphite

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    Throughout the Mediterranean, Greek Blue can be found on rustic doors, shutters and furniture often faded and distressed. It?s also a colour that works well in a neoclassical interior deepened a little with dark wax.

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    Greek Blue

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    The Grand Tours of the 18th Century brought this colour into the finest houses of Europe as part of gentle neoclassical schemes and was combined with other strong pastels.

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    Henrietta – Colour discontinued

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    Named after the harbour town in Normandy, Honfleur is a colour inspired by the rich warm browns found in the rustic French countryside as well as in Mid-century Modern design. This rich brown is just what you need to work with bright colours: it looks great next to Scandinavian Pink, Barcelona Orange, Giverny, Provence, Greek Blue and Antibes Green. It can also look elegant and classical when paired with pastel Louis Blue or pretty Antoinette.

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    Honfleur

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    A soft, warm green, inspired by fields of alliums that Annie saw in Ethiopia, grown by women farmers who are supported by Oxfam?s Ethiopian Seed Project. This limited edition colour is great for creating a retro 50’s look, and works well as part of a vintage floral style. Every pot of Lem Lem sold will raise vital funds for Oxfam, helping people beat poverty worldwide.

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    Lem Lem – Colour discontinued

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    Louis Blue is a greenish soft blue reminiscent of?Rococo?French and Swedish interiors.?Pair this clean pastel blue with white for a fine Rococo look or combine with brights for a vintage retro aesthetic.

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    Louis Blue

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    Napoleonic Blue is inspired by the ultramarine and cobalt blue pigments used for decorative work in everything from neoclassical interiors through to modern 20th century decoration.

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    Napoleonic Blue

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    Old Ochre is the faded darkened cream colour seen on old French painted furniture, woodwork and door exteriors. Apply Dark Chalk Paint??Wax to make the colour more intense and evocative of Paris, or keep it clean as a neutral foil to other colours.

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    Old Ochre

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    Like deep Parma violets or blue lavender, Old Violet is a wonderful 18th Century colour inspired by the colours of ancient Rome. Beautiful on its own or paired with red for a little Parisian boho.

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    Old Violet

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    The colour of chalk and gesso, this is a cool soft white without pink or yellow in it. Old White works with everything but for the quintessential French look use it over Paris Grey. It can also be added to any of the other colours to lighten them and make them the exact tone for your room.

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    Old White

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    This traditional green is found in fine classically painted and lacquered furniture, as well as rustic country pieces.

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    Olive

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    A warm, slightly creamy, traditional white, Original is the colour of old painted furniture. It is perfectly paired with Duck Egg Blue, Antoinette and Louis Blue for a delicate old distressed French look.

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    Original

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    Oxford Navy is an inky, traditional navy blue which evokes the strong, august blue of academic insignia and fountain pens, as well as the rich pigment indigo blue so synonymous with traditional Indian block printing.

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    Oxford Navy

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    Paloma is made from mixing purple and yellow complementaries with white to make a soft warm neutral taupe grey. It is both a modern contemporary colour and a classic colour that was used when a range of purples first became possible.

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    Paloma

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    Soft, gentle Paris Grey is inspired by the painted furniture found in elegant French ch?teaux or old Swedish manor houses. It?s made from a mix of blue and orange, so it works naturally well with these complementaries. Use it over Primer Red or Cream, or with Old White or Original.

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    Paris Grey

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    Primer Red is a colour found in practically every culture, appearing in everything from Venetian palaces to Vietnamese temples, where red earths were plentiful and relatively easy to come by. Use it for rustic pieces or as a base for sophisticated colours like Ch?teau Grey or Versailles. It also works beautifully under gilding.

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    Primer Red

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    The south of France has shutters and doors painted in a range of turquoise blue greens, some bright and some faded. Provence was inspired by these colours. It also works beautifully for a modern look.

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    Provence

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    Perfect for modern interiors, this cool, clean white makes a crisp contrast with strong colours. Please note: this pure white has the least covering power of all the colours so may require more than one coat or is best applied over a coat of Country Grey.

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    Pure

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    Rodmell is one of three exclusive colours Annie has created as a part of the Annie Sloan with Charlestoncollaboration.?Rodmell is a damson purple, influenced by the painterly washes of twilight shades on the Studio walls, the creative hub of the farmhouse for over 50 years.

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    Rodmell

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    Scandinavian Pink was inspired by the traditional colours found in much Swedish furniture. We use it underneath pale neutrals like Old Ochre or Old White. It also works beautifully as a colour for the interior of cupboards and drawers.

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    Scandinavian Pink

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    Svenska Blue is a crisp and cool toned blue-grey, evocative of the colours seen throughout Swedish manor houses in the 17th and 18th Century.

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    Svenska Blue

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    Tilton is one of three exclusive colours Annie has created as a part of the Annie Sloan with Charleston collaboration.?Tilton is a deep, earthy mustard inspired by the beautifully painted circle motif on Vanessa Bell?s decorative wardrobe from 1917 in Charleston Farmhouse.

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    Tilton

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    Versailles is a colour inspired by fine old French furniture and gilded doors. It is sophisticated and gentle, yet it works well with modern pieces too. This is a hue that picks up other colours well and changes character accordingly.

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    Versailles

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